"The French have a name for this kind of writing
–temoignage–
the literature of the witness; crossing genre, autobiography or reportage, but
most important- fact-lived. We reel through sex with stars of both sexes, through
brushes with fame and sleaze, and meet the freaks, whores, grifters and
producers of the slide-side of Hollywood existence.
Gilmore's odyssey shows an unflinching exploration of the strange paradox in narcissism, with its
underlying self-hatred.
Gilmore aims for the heart of a thing–the truth, the
thing in itself, and hits the bull’s eye with incredible accuracy. He is one
of the today’s most intense and most uncompromising writers...
A true literary artist.”
