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Charles
Schmid, the notorious "Pied Piper of Tucson," something of a cross between Elvis Presley and Charles Manson, was charismatic, psychopathic, and
totally bizarre. Stuffing tin cans in his boots to appear taller and smearing
oil stains on his face to simulate a beauty moles, Schmid nonetheless won the
hearts of teenage girls on Tucson’s Speedway, and soon became the ultimate
"ladykiller" ... murdering the girls he no longer had any use for.
This book unearths the tale behind the murders of three teenage girls by Charles
Schmid, a regular cruiser along Tucson’s
glittery strip. The murders shocked the city, not only because it thought itself
immune to this kind of violence, but because Schmid could not be dismissed as an
isolated case, a disturbed loner. He had been popular among Tucson teenagers for
years. Two of Schmid’s friends had helped him commit one of the murders–-by
offering the girl a ride in Schmid’s car and later disposing of her body–and
at the trial, it was determined that at least six others knew of the crimes, but
did not notify the police.
Schmid was 22. He dyed his hair black
and wore makeup to accentuate his large blue eyes. He had a cool car and his own
house where he threw parties. His teenage friends found him mature, mysterious,
"different." Later, he was also described as a lonely man who felt an
inner emptiness so vast he tempted God to punish him.
This detailed account of the murders is
based on interviews with Schmidt and his friends, as well as letters from him
and diaries. It also contained moment-to-moment accounts of the events which led
to the murders, and of his trials (he was defended by F. Lee Bailey), which drew
media attention internationally. This second edition adds updated material on
Schmid’s life in prison, where he was murdered in 1978 after an escape
attempt, and sections of his writing and art.
As John Waters described him,
""Smitty,' as he was called, pompadoured his dyed, jet-black hair and
wore a thick coat of pancake over his dirty, unshaven, handsome face. His
Casanova lips were covered in white lipstick, and he designed a quarter-inch
beauty mark made of putty...Like all models, he wished he were taller, so he
stuffed his boots with a three-inch layer of tin cans and
rags."
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